Restoring a Space: 1999 Spacesuit costume_______________________ Back to INDEX

When I watch a science fiction film or television series my main interest is in the models and SFX but I also enjoy looking at the sets and costumes, especially the spacesuits. In fact my respect for any production is often affected quite a bit by the quality of the spacesuits - or lack of them, as many shows don't often bother with such things and the problems associated with the actors wearing them. This is a shame because I find it very difficult to take any space related show seriously if the actors just walk around in their normal outfits in dangerous environments.

My favourite spacesuits are from UFO/Doppelganger, Space:1999 and 2001. So when a '1999' suit came up for sale it was something that I just had to have. This is 'Suit 4', which is a little bit on the small side and only just fits me, together with the 'Suit 1' rubber neck collar assigned to Martin Landau. When I watch the series I always try to identify it, helped by the fact that all the suits seem to have small differences - mine being one of a couple that have a zip on the left arm. Often it seems to be worn by a minor character but I believe that Barry Morse did wear it at times - but then went on to wear a bigger and looser fitting one.

The suit came from the 'Alton Towers' collection and had been on display there, and at Blackpool, for many years and as a result it was not in a very good condition - like many original items I happen to get my hands on it looked completely knackered!

The Restoration ....by David Sisson ..............See Science Fiction Modeller Issue 17 Nov/Dec 1994

For my money I got a one-piece orange bodysuit, a pair of gloves, a rubber neck piece and a helmet. Oh yes I also got a mannequin that had been assembled and fixed in a pose - whilst wearing the suit - and as a result it required the use of a very large hammer to smash up and remove.

Once I got the suit off the dummy I examined it closely, but not too closely because it hadn't been cleaned for years and my skin was crawling from just being near it! The single piece suit was nearly in three pieces as the right arm was coming off at the shoulder and there was a split down the back - luckily both were due to the seams giving way and not the material. The material in question is a bright orange nylon with a yellow cotton lining and a white fluffy padding in-between - just like a sleeping bag actually! A resemblance heightened by all the zips, most of which are sewn shut. The only add-ons, apart from the arm badges, are two fibreglass wrist arm/glove joints and two aluminium bands at the ankles, all four of which are just glued in place and could easily be removed prior to washing the suit.

The first (hand) wash removed a great deal of dirt but was complicated by the fact that the material acted like a sponge and absorbed nearly all of the water, then threatened to fall apart under its increased weight. Luckily it dried rather quickly and I was able to sew it all back together again and patch a small tear in the back. Then I could safely wash it again - and again - and again! It really was filthy and inbetween washes I even resorted to using paint thinners to try and remove some stains as well as having to scrub the interior to try and remove all the car filler that had been used to assemble the mannequin..Finally I let the suit dry and it was almost unrecognizable from its former state, the material which was decades old, and slightly worn in a few areas, looked bright and quite new. I could now reattach the two aluminium ankle bands, which had only needed a quick rub over with metal polish to restore them..

Unfortunately the wrist connectors and gloves required more attention. When the suit had first been made the gloves were simply joined to the suit using magnets, four of which are fixed into the heavy fibreglass wrist castings with metal plates buried in the matching fibreglass glove ring. During the series these clearly proved inadequate (especially for series two's regular fist-fights on the Moon surface) so large metal buckles were fixed to the sides to secure the connections.
Drilling the parts to fix these buckles had weaken the castings and over the years both glove rings had broken up - but the parts were still stuck to the gloves. Also the heavy wrist castings were cracked and badly battered. (When wearing the suit the heavy castings have a tendency to swing into any close object and become chipped very easily). The broken parts were carefully removed from the gloves, cleaned up and reassembled with superglue and skimmed over with P38 car filler, then sanded smooth and sprayed with gloss paint. The six buttons on the left connector were missing and I remade them using brass rod, the red square is coloured Perspex so it just needed cleaning and a polish to restore it. The gloves also needed multiple washes before being glued back onto there connector rings.
..

The worst part was the helmet, which was very battered, and the clear visor was unfortunately missing. The rubber neck piece was in a poor state and the spring loaded parts that secure the helmet to the neck ring were also gone and had been replaced by rusty screws that had been forced through both the ring and the sides of the helmet.
The first job was to remove all the rotten cloth and the head support strapping from inside the helmet and then sand off the many layers of paint from the outside. The visor frame had the most layers of paint on, nine in fact, and had obviously come from a different helmet as one of the colours was silver - indicating its use on a 2nd season Anti-Radiation suit. The biggest problem was the large amount of hairline cracks around the chin area caused by the helmet being quite thinly cast and flexing. As these cracks would quickly reappear after painting the only option was to add a new layer of fibreglass to the inside of the helmet to strengthen the shell and stop the movement. This has made the helmet heavier but it has done the job.

The visor frame also had a fair number of cracks but here I could only remove any loose bits of surface material and refill the holes. After the repairs were complete the parts were spray painted with cellulose car paints and then rubbed down with a cutting agent to get a very polished finish. New pieces of black cloth were cut out, using the old pieces as templates, and glued into place then the head straps were reinserted.
In most helmets foam padding is used to support the helmet on the wearers head, but these helmets use a loop of strapping attached to the inside using metal loops buried in the fibreglass. This strap can be quickly adjusted to suit different sized heads and makes the helmet cooler to wear because the head isn't encased in foam - but it doesn't feel very secure.
A new soft plastic amber motorbike visor was cut to fit the frame and screwed into place. The rectangular holes around the frame are just covered across the back using a strip of black cloth. The black 'intake' on the top is simply black adhesive tape with a row of air holes drilled across it. The visor was reattached to the helmet using two screws with chrome dome covers.
(Mirror hanging screws from a DIY store)

Its hard to get any measurements off the round helmet - the neck opening at the bottom of the helmet is 254mm from front to back and 212mm at its widest. The black vent across the top of the helmet is 120mm wide. The helmet appears to be around 285mm tall.

The fibreglass neck ring needed several holes filling before it was repainted. The two spring loaded neck bolts were made using epoxy filler blocks with a brass rod embedded in the centre..

The rubber neckpiece had been supporting the weight of the helmet for years and was compressed and deformed. I had to gently stretch it out and then apply more latex rubber to the inside to hold it in shape. The outside was cleaned, and any holes patched with drops of latex, before it was given a coating of watered down acrylic paint..

When I got the suit part of the 'deal' was for me to restore a backpack and recreate the chestpack for a display that was fast approaching. The backpack had the number 3 on it but it was actually the number 7 stunt pack used in the last few shows featuring 'punch-ups' on the moons surface. As a result it was very battered and I had to strip the parts off it and apply more fibreglass to the inside to fill the holes and strengthen it up.

The backpack and chestpack are covered in a fine mesh cloth, only bits of the original were left on and even these looked like replacements and might not have been original at all. The unit was covered in new cloth and the various detailed parts reattached. One of the four oxygen outlets was missing and needed to be replaced, these turned out to be motorcar brake pipe connections and the airtube itself was coaxial television cable with the outer plastic removed.

The replica chestpack was formed in 2mm Plasticard, then coated on the inside with fibreglass with a Perspex backplate screwed to wooden blocks embedded on the inside. The recessed panels were made from clear Perspex (painted on the back) with pinstripe tapes to complete the detailing. Due to time constraints and a lack of the proper car seat belts there were no straps put onto the chestpack, instead the existing straps on the backpack were adjusted to reach over and hook onto the back of the chestpack.

During this time my intention was to construct copies for my own suit, but after working on these parts I realised that I didn't really like them enough to bother! The design and construction is rather crude and I prefer the one Koenig wears in 'Brian the Brain' which I think is far better looking - and it's a pity it wasn't used for the whole series.

The suit is reasonable comfortable to wear, but it gets warm quickly especially with the helmet on. Over the years I have watched actors wearing spacesuits in films and wished I was doing their job, but having worn a suit for a short length of time I'm not so sure that it was really that much fun to be filmed in it!

The wrist connectors are 127mm by 99mm wide. The bits on the gloves are 12mm thick - and 35mm thick on the arm.

Red Perspex square is 26mm by 25mm.Buckles on the wrists have the brand name 'Cheney'. Heavy-duty zips have the brand name 'YKK'.

Right; Mistake - I glued the Aluminium rings back on in the wrong position thinking that it made more sense to try hiding the join on the inside of the leg; when they should actually be clearly seen on the outside. (Aluminium is 1-inch wide and 1/8th thick)

Gloves appear to be standard store bought items, makers label reads LesLeston. Silky white material with black leather palms.

Left; The 'Rainbow' patch is made from lengths of coloured Nylon ribbon. Lime, Green, Dark Brown, Black, Dark Blue, Light Blue, Purple, Red, Light Orange, Yellow. Black rectangle is a different material with Stars sewn on in white cotton..

Picture bottom left; The chestpack on display at the Wolverhampton Art Gallery.

*I've now posted a short film about this spacesuit on You-Tube, which you can see HERE
*The sound is not very good so please turn up your volume control

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